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A jazz revival in Ethiopia: Swing along again.
Febrer del 2009.
   
An old tradition may be coming back.

AFICIONADOS are hoping for a revival of the golden
age of Ethiopian jazz, as players who emigrated
westward a generation ago, especially to America,
come home amid the global recession.

Tafari Assefa now plays his drums in a band at the
bar of the Jupiter Hotel, one of the fancier newer
establishments in Addis Ababa, the capital. Born in
1974, he studied music in Poland before emigrating
to America. Life as a jazz man there was hard. “You
had to beg for gigs,” he says. “Here, they call you.”
He earned $70 a gig in America. Now, back home,
he gets only $40. But the monthly rent, at $180, is
several times less. He can get along. A cup of
Ethiopian coffee, he notes, costs only 25 cents.

Ethiopia’s jazz tradition goes back to the 1920s,
when Armenian orphans from the massacres in
Turkey were adopted by Ethiopia’s imperial court and
formed a band called Arba Lijoch, meaning Forty
Children. Other big bands followed suit. “The Addis
swing” caught on. By the dying days of Haile
Selassie’s reign, in the early 1970s, musicians were
fusing jazz and funk with more traditional Ethiopian
tunes to create a distinctive Ethio-jazz.

After the grim Marxist regime of Mengistu Haile
Mariam took over in 1974, Ethio-jazz soon died,
along with much else. The communists were
suspicious of free-form jazz. Many players and fans
were killed or fled, mostly to America. Hotel bands
were replaced with drab synthesisers.

The doyen of Ethiopian jazz men is Mulatu Astatke,
now 66, who used to divide his time between
Britain, America and his home country, drawing
inspiration from all three. When Duke Ellington
visited Addis, Mr Astatke transposed some of the
American bandleader’s numbers from the West’s
eight-note scale into Ethiopia’s five-note scale. The
revivalists reckon that cross-fertilisation of this kind
can now start up all over again.

   
The Economist, England.
  The Economist, England.
January 28th 2010.
   
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